FRIDAY, JULY 25 THROUGH SUNDAY, JULY 27
The Dark Knight (PG-13) 12:00, 3:15, 6:30, 9:45
Wall-E (G) 1:00, 3:45, 6:50
Hellboy II (PG-13) 9:35
Step Brother (R) 12:10, 2:30, 5;00, 7:30, 9:50
Mamma Mia! (PG-13) 12:45, 4:00, 6:40, 9:10
MONDAY, JULY 28 THROUGH WEDNESDAY, JULY 30
The Dark Knight (PG-13) 1:15, 4:30, 7:45
Wall-E (G) 1:30, 4:15
Mamma Mia (PG-13) 1:45, 4:45, 7:15
Hellboy II (PG-13) 7:30
Step Brother (R) 1:00, 3:20, 5:40, 8:00
THURSDAY, JULY 31
The Dark Knight (PG-13) 1:15, 4:30, 7:45
Wall-E (G) 1:30
Hellboy II (PG-13) 7:30
Step Brothers (R) 1:00, 3:20, 5:40, 8:00
Mamma Mia! (PG-13) 1:45, 4:45, 7:15
FILM CLIPS
THE DARK KNIGHT. Sensational, grandly sinister and not for the
kids, “The Dark Knight” elevates pulp to a very high level. Heath
Ledger’s Joker takes it higher still, and the actor’s death earlier
this year of an accidental overdose lends the film an air of a funeral
and a rollicking, out-of-control wake mixed together. The film, which
improves upon the solemn authority director Christopher Nolan and
Christian Bale’s Bruce Wayne brought to “Batman Begins,” has an
atmospheric shimmer all its own. It’s a brooding crime saga with some
spectacular action sequences. PG-13. 2:32. 4 stars.
GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON. Narrated by Johnny
Depp, this biopic lays out a history of Thompson’s work and his legacy,
leaning heavily on his “gonzo” image, the hard-boozing, hard-drugging,
larger-than-life persona that dominated his writing, and sometimes
outshone it. The film is informative and a little titillating, but like
Thompson’s work itself, it sometimes feels like a smoke screen, a
colorful but distracting set of pretenses hiding as much as they
reveal. R. 1:59. 3 stars.
HANCOCK. The idea sounds ripe: Will Smith, one of the screen’s most
engaging stars, playing a surly wino of a superhero, making a mess of
Los Angeles as he comes to the occasional aid of those in need. Enter a
PR whiz (Jason Bateman), who takes on Hancock as his latest project and
helps him see the value in soft, non-destructive landings and the odd
kind word. Not even Smith’s charisma can mitigate the chaos that is
“Hancock.” The violence and the general abrasiveness are a genuine
drag. PG-13. 1:32. 1-1/2 stars.
HELLBOY II: THE GOLDEN ARMY. I can barely keep up with the mythology
put forth by the “Hellboy” series, but I enjoyed the first film, and I
enjoyed the new one. The movie, directed by the inventive Guillermo Del
Toro (”Pan’s Labyrinth”) is engaging, though it’s more cavalier
regarding story and relentless in its action than its predecessor. Ron
Perlman is great to have around as Hellboy; as before, his oaky, mellow
voice belies all manner of freakish rage and loner angst. PG-13. 1:50.
3 stars.
KIT KITTREDGE: AN AMERICAN GIRL. American Girl fans, rejoice: The
big-screen iteration of your beloved Kit Kittredge is tried and true, a
wholesome dose of Americana suitable for everyone. Except maybe
parents. G. 1:41. 2-1/2 stars.
MAMMA MIA! THE MOVIE. It’s funny what you buy completely onstage and
resist on-screen. Case in point: “Mamma Mia!” -- the ABBA-fueled stage
phenomenon that is now a movie. Meryl Streep handles the ABBA tunes
with aplomb, but it’s disappointing to see the film version turn out
this way -- not lousy, but pushy. Free spirit Donna (Streep) lives with
her daughter Sophie (Amanda Seyfried) on a Greek island. Sophie, about
to marry, learns her father, whom she never knew, is one of three
possible candidates (Pierce Brosnan, Colin Firth, Stellan Skarsgard),
and all are coming to the wedding. PG-13. 1:48. 2 stars.
STEP BROTHERS. This movie is stupid, predictable and fairly funny,
though even its bigger laughs make you wonder if the whole
arrested-adolescent streak in contemporary screen comedy may be running
its course. Will Ferrell plays Brennan, 39 and living with mom (Mary
Steenburgen). John C. Reilly plays Dale, 40, still at home with dad
(Richard Jenkins). The parents meet, fall in love, and suddenly you
have a blended-family situation of extreme volatility followed by
extreme bonding. R. 1:35. 2-1/2 stars.
WALL-E. A hunk of metal with binoculars for eyes -- can this be the
screen’s latest true hero? Yes. In Pixar’s marvelous new feature, set
700 years from now, planet Earth has become an uninhabitable garbage
dump, whose last resident (besides a roach) is the title robot. How he
saves the planet is the subject of director Andrew Stanton’s story,
beautifully realized. G. 1:43. 4 stars.
THE X-FILES: I WANT TO BELIEVE. This second “X-Files” film, based on
the paranoiac TV series, is both a muddle and a drag, having to do with
stem cell research and regeneration and missing limbs and a fraught
psychic. Reuniting David Duchovny and Gillian Anderson as FBI agents
Fox Mulder and Dana Scully, the film will work about the same with
die-hard series fans as it does with newbies: Fans and newcomers alike
will find it just OK. PG-13. 1:44. 2 stars.